Tag Archives: sing

Idea Store Reflections

Zoë Palmer works with us regularly on our Learning & Participation programme. Over the past year she has been working with library staff from Idea Stores across Tower Hamlets to develop singing and storytelling skills specifically for engaging early years (0-2s) audiences.

Idea Store storytelling yurt at the Midsummer Street Party

Sitting in a yurt as part of the Spitalfields Music Summer Festival, Raju turned the first page of his story, looked at the audience of 20 toddlers and their families, and asked, “so where is the golden egg?” But his question was more an invitation to play, move, dance and sing with staff from Idea Stores in Tower Hamlets who had just completed a year-long training programme integrating music into their storytelling work.

“It’s on the bus,” one child shouted, “it’s a star in the sky,” added another, “it’s behind you!” And there it was hanging from the canvas like makeshift sunshine. The next 30 minutes were bursting with questions and answers, spoken, sung, drummed and shaken as Raju narrated the story of Aysha, a little girl from East London whose search for the golden egg takes her on an adventure around the local area. His audience joined in, contributing their voices to the cacophony, sometimes singing without words, as though they were revelling in the magic of collective music-making.

From my position at the back of the tent observing the Idea Store staff as they led the session, it was clear to see how much fun everyone was having. It seemed that they had each found their own role: Sally was using puppets to support the story, Florence was dancing and Jesnara mixed baby sign with her actions to encourage very small children to join in. Parents were singing too, something that doesn’t always happen, but when it does it feels like we’re getting close to achieving what we set out to do.

When we had begun working together a year earlier it was a very different story. I met the group with a fair amount of trepidation; it can be difficult working with adults on training courses, especially where singing is involved. I was also aware that delivering story-time sessions is one aspect of their busy and varied working lives, so keeping the training relevant, engaging and fun was at the forefront of my mind. However, as the year unfolded something exciting started to happen – people were bringing their own ideas into the sessions, sharing their experiences and best practise and supporting each other during the time in between. We learnt songs from Bangladesh, Somalia and Tanzania, amongst others, aiming to reflect and connect with the parents who would turn up to their library based groups on a regular basis.

By the time we reached our final session early last month, it seemed as though the group had taken on its own momentum beyond our sessions. Alongside some reflection and recording, we spent most of our time making things – music, stories, pictures – and then putting them together. We drew pictures of each other without looking at the paper and used puppets to give feedback. We jumped from one thing to the next, as the children we work with so often do, enjoying each task for it’s own sake. In the process I listened to staff say that they felt more creative and less stuck in a rut; the funny thing was, after a year working with them all, I did too!

Zoë Palmer
Workshop Leader

A ‘Fire’ starter

If you passed by the Attlee Youth & Community Centre last week you may have wondered – as did the guys who turned up for their usually quiet Tuesday evening football match – what was going on as scores of people poured in through the door. This was the first gathering of the “Fire choir”, coming together for some fun singing, to meet the composer David Bruce, and to give a section of his new commission Fire a whirl.

Sam Chaplin and the 'Fire' singers

The 96 amateur singers in attendance were in fine voice and quickly built up into part singing under the direction of chorus leader, Sam Chaplin. After a break to catch up with faces old and new it was time to tackle Fire. This they did with admirable ease, the section worked on coming together quickly and sounding very fine – which bodes well for the performances in June and July!

The more experienced in the group ably supported those new to choral singing, including one young woman who’d turned up for something else but got gathered into the fold. Her parting remark was “I never thought music could be fun; but I’ll be back!”

If you’d like to join her in giving at a whirl there are still places available, especially for male voices. To find out how to get involved contact Natalie Ellis on 020 7377 0287 or send an email.

Cathy Birch
Programme Manager: Learning & Participation 

Fire – A Festival Finisher

200 singers, horn ensemble, fire-artists and pyrotechnics in the open air of Spitalfields – it’s our Festival Finale, Fire!

Sample design for the performance of Fire by Mandy Dike & The World Famous

Fire is an exciting new work by David Bruce, and is the second of our PRS for Music Foundation New Music 20×12 performances this Summer. The piece uses texts from Vikram Seth and Yannai to revel in the spiritual relationship we as human beings have with fire, and we’ll be working with The Opera Group to bring this celebration alive in Spitalfields’ market area.

It’s also a unique opportunity to get further involved in this summer’s Festival, as we are looking for enthusiastic singers to join the chorus. If you would like to find out more download our e-flyer, or contact our Programme Manager: Learning & Participation, Natalie Ellis via email or phone 020 7377 0287.

In the meantime, do check out this video from composer David Bruce and The Opera Group all about Fire:

What makes you think that you can sing?

Arlene Adair shares her experiences of being a singer, performing in Women sing East and rehearsing for the world premiere of our community opera We are Shadows:

“Do you honestly think that you can sing?” The words of my eldest, my first born, daughter pierced my brain bringing what I believed to be the “song of a nightingale” to an abrupt and premature end!  Children can be so cruel and, some may say, truthful!

I had always considered my singing voice to be, at least, worthy of airing at home.  Perhaps I was just a bit rusty!  Perhaps, on the other hand, my parents had been very loving, tolerant and tone-deaf!

“Join a choir, a women’s choir, Women sing East,” the kind words of a concerned colleague rang happily in my ears.  She knew that I had observed with nostalgic jealousy my youngest daughter, my fourth and last born, singing like an angel with the Hackney Borough Youth Choir.  Could it be that simple for me to join Women sing East?  What about my voice?

So, in September 2010 “stepping gaily arm-in-arm” with a fellow Scot (a bonnie wee lassie with blonde curls and an awfully good voice!) I tentatively approached the assembled throng of women confidently waiting in the foyer of the Brady Arts Centre.   We were “the new girls”.  Were there any other “new girls”?  Who knows?

The arrival of the director Laka D brought with it a big warm cosy welcome like a soft tartan blanket (not a horrible old scratchy one!).  “New girls” or not we were part of a 40-strong smiling, laughing, rocking, popping, madrigal women’s choir.   This all happened within two hours of leaving my six strong family at the kitchen table.  This was heaven!  Within eight months, we had performed two public performances and were feeling very happy.

Today, as I rehearse with the chorus of We are Shadows, an opera in pieces, I am reminded of a time when I could only dream of singing opera.   Twenty eight years ago, I was a costume maker in the wardrobe department of Scottish Opera. With a mouth full of dressmakers’ pins I could only hum along  as I listened  in awe to singers rehearsing pieces by Mozart, Puccini, Bizet and many other wonderful composers.

So, as I strive to reach the high notes of this world premiere opera, the words of my daughter haunt me “Do you honestly think you can sing?”  The simple answer is, “I really do not know but, so far, nobody has asked me to mime!”

Arlene Adair

Always wanted to sing? Why not join one of our community choirs! For more information click here. We are also looking for local people to perform as part of We are Shadows. Email cathy.birch@spitalfieldsmusic.org.uk or give us a call on 020 7377 0287 for more information.

Artist Focus: La Venexiana

La Venexiana are the Italian Madrigal Group. Founded by soprano Rossana Bertini and counter-tenor Claudio Cavina, they are some of the most experienced performers in the early music field. They open the second half of our Winter Festival with a beautiful programme of highlights from Monteverdi’s Books Five to Nine of Madrigals on Wednesday 5 January 2011.

Garnering praise from around the world, the group have won numerous prizes including a Gramophone award, the Diapason d’Or, the Prix Amadeus 2000 and the Cannes Classical Award.Their aim is to sing music of the past in a way affected by culture and emotions of the present, promising a futuristic and romantic performance of Monteverdi’s sublime madrigals.

Don’t miss out on the chance to hear these Italian Masters singing what they do best!

If you want a sneak preview of La Venexiana’s stunning sound check out our La Venexiana Spotify playlist by clicking here!

Italian Masters
Wednesday 5 January, 7.00pm
Christ Church Spitalfields
Tickets: £5 – £22
Book now!